Time doesn’t exist with the sights that passed along M. Jalandoni St. Yet when the cathedral’s giant bell tolls, the afternoon reverie stops. Somberly, the coming of the evening is announced with the Angelus. Passersby would all come to an abrupt stop, some bowing their heads, others clasping their hands in prayer. It gets quiet, and even the mongrel dogs scattered about cease with their relentless sniffing. Slowly, as the bell counted one to six, darkness took over. The miserable street lights are turned on, and the shadows come out to play.
At night, a certain gloom pervades throughout the corridors and spaces; and the lamps seem timid with their light. The decorative carvings of vines and fan-like anahaw leaves that hang from the ceiling give the illusion of some sinister forest. The shiny burgundy narra floors take on a more darker hue, like a river of blood.
As the night advances, the house grows quieter; and my imagination gets wilder. The ceilings seem higher, the shadows more immanent, and the sporadic sounds seem more deliberate. I start remembering the ghost stories yaya told me, the ones I found scary but loved to listen to anyway. There is the tale of the old man without a face sitting atop our staircase, the invisible visitor who rattled the maid’s quarters’ doorknob, the single footprint found in the basement office, the heavy footsteps heard walking across the kitchen roof, the full-sized mirror in the sala that is said to show your reflection and a demon behind you at midnight. And there is the huge balete tree in the garden said to be home to malevolent dwarves.
1 comment:
i still remember the higly polished tabla floor.
lurve, lurve, lurve!
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